i furiously believe that all letters are created equal

über design studio, pentagram has created a beautiful typographic flash meme – what type are you?* based on answering typological questions, you can see just what type of person you really are.

no surprises to find out that i am van doesburg – a face designed by a dutch architect – “brutally fair, with a firmness of purpose and each letter occupying the same space as the next”.

fun times.

*i had to try a few different combinations of my name, because they had already been taken. so if you’re common like me, keep that in mind 🙂

thanks to courier new, or soren at büro north

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black wall, white text, feminist discourse.

I’ve been to see a few shows recently and have stumbled upon some recurring themes: white text on black wall; and feminism.

The white text on black wall is really just on the block of Gertrude street that contains Seventh Gallery and Gertrude St Contemporary Artspace.

There’s a series of shows at seventh at the moment that are fantastic and predominantly text based. The first thing you see when you walk into the space is an epic FAIL. As in, a huge F-A-I-L in white on a black wall. Awesome. And then in the back room, it’s spectacularly ordinary: white neon ‘ordinary’ in a black room, by Kristin McIver.

Between the wordplay is also a beautiful project piece that is playing with magnetic force and light, creating a trajectory between a magnet on a rotating motor/crank with LED – a picture of attraction and repulsion. It’s simple, delicate and beautiful.

Then, across the road, the front gallery at Gertrude is lit up and open to see at night (which I love!) work by Newell Harry (“The artist with the first name last and the last name first” – The Art Life), which, as well as an installation of bottles, clay pots and broken glass, is the neon sign reading THENATIVESARERESTLESS coupled with its own anagram in reflection. It’s such a striking diorama, especially in light of these other text pieces across the road.

I love that kind of synchronicity.

And to follow on from that, in the last 2 weeks, there have been 3 – count them – 3 shows about feminism in various galleries about town.

Instructional Guide to Femininity at Jenny Port Galleryis a work by my studio-mate Naomie Sunner and is a fabulous work which critiques fashion and media-based ideas of what it means to be ‘feminine’. Using costume, and more importantly, the idea of the pose, the is like a storyboard of the female gesture – rarely seen in reflected in mainstream images of ‘beautiful’ or ‘feminine’.

There was quite a bit of discussion about feminism and its ideals at the opening – a refreshing change from some of the banal conversation that can creep into such gatherings.

I got a lot out of the show – being a straight girl who very rarely subscribes to the traditional idea of ‘feminine’ and apparently challenges the idea of what it means to be straight, as a consequence. This work reminded me of a time (not all that long ago) when female fashion was all about rejecting a narrow-minded view of gender stereotypes and that blonde-long-hair-big-tits-short-skirts were a fashion faux-pas to be fucked with.


Over at Kings ARI is a great work –in the form of a publication – Accidental Feminists by Victoria Bennett. This work combines a series of documentary images of incidental or ambient feminist discourse –graffiti in womens’ toilets and various groups of women together – interspersed with 3 essays about feminism in a contemporary setting by Clare Rae, Nella Themelios and Anna Knight. It is almost a curated exhibition in print form and has the perfect balance of fun, intense critical dialectic and pride in feminism as a vital social mechanism.

Accidental Feminists Opening

At the opening, it was fantastic to see people sitting around, reading the publication, discussing feminism and the images/words surrounding it. I had a romantic and/or sentimental moment, imagining that this is what it means have been like in early 20th century paris, sitting around, drinking wine, discussing political theory and contributing to the shaping of society. And then the crowd got too much and I got too hungry, so had to leave. Real life, baby. Real life.
However, it’s great to see that feminism as an important topic of discussion continues to knock on the door in Melbourne.

And then…next week there’s a show at Shifted: Unfixing the Feminine with Meg Andrew, Justine Barlow, Kotoe Ishii & Jade Venus. I’m looking forward to seeing how that relates to these other two shows and to start to experience a city-wide focus on feminism. It’s great to see a resurgence of its presence in ‘output’ and I’m hoping it’s the beginning of a new round of regular discussion about the role of feminism in contemporary life.

image credits:
FAIL by Anthony Sawrey
Lifeless by Kristin McIver
Instructional Guide to Femininity by Naomie Sunner
Accidental Feminists by Victoria Bennett
Unfixing the Feminine from the shifted website

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it’s no big deal, just the future of humanity

i know this has been doing the rounds for a while, but i finally got around to watching it. there was a moment, something about ‘if she’s given half a chance’ that made me almost cry.

[update: i find it interesting that sanitation comes above commerce. nice to know]

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people in urban spaces

ok, so i’ve got a post brewing about the importance of public transport and a blurb about civil liberties, but i just had to post about these two cool things first:

little people in the streets of london

slinkachu is an installation artist/photographer who sets up teensy weensy dioramas on the streets of london. you can buy the documentation from cosh (a super-cool gallery in soho), or you can buy his upcoming book, out on the 5th september. if you’re in london (or near enough), you should head along to cosh on the 31st august for the installation hunt that he’s set up as the launch for the publication. you have to find 4 installations in london and you get a signed copy of the book. how much fun is that gonna be! not as much fun as the innocent fete or the london marathon, but pretty close, right?

people piles in the streets of vienna

then over at swiss miss (where i pinched the pics from), i stumbled upon a cool project by art director willi dorner and photographer lisa rastl have a couple of people projects on the streets of vienna: ‘hängende gärten’ and ‘bodies in urban spaces’. how cool do they look!
the works are looking to discuss and perhaps distort the “relationship between body, space and architecture” and definitely play with the role of human movement/stasis on a city and the urban environment. wish i did that.

oh, and it’s all over the bloggersphere at the moment, but the eureka tower car park signage treatment is supremo. check these out: out and up/down

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