ketchup and inspiration

it’s been ages since i’ve written a blog here and i’ve had so much to catch up on! last wednesday was a day of inspiration for me: went to the preview of the Sydney Biennale and saw some great stuff, but the Antony Gormley Field was fucking amazing. It’s been a really long time since I’ve stood in front of a piece of artwork and had goosebumps, and this piece gave me a serious case of them. It was sublime. Standing in front of it, i almost cried with the expanse of it all as well as, for me, a sense of history about the work. I felt like i was looking at a historical movement of a population for a greater cause.. may not have been the intention of the work, but it sent shivers down my spine nonetheless. the other highlight from biennale stuff is blatantly egotistical, but hey. when Fiona Tan came into town last year, i lent her some of my photo albums with which to do her vox populi work. When i rocked up to AGNSW, i had forgotten about the work and when i stumbled upon it, i found 2 images from my albums in there, neither taken by me. the first one is a hilarious photo of my stepfather with deep red lipstick on in a gaudy stylised smile shape.. it is both hilarious and awful at the same time! and then an image of me, taken by my ex-boyfriend, with my huge blue mohawk in the back alleys of Stanmore. it was a nice little treat for the day.

there were heaps of works throughout the other 2 venues i saw (MCA and AGNSW), but the truth of the matter is, i can’t remember a whole bunch of them. that, i think, is the reason that the biennale is on for 2 months. time to revisit and absorb so much. i’m really looking forward to going back to some of the venues i’ve already seen, and to venture to some of the smaller venues as well.

other major highlight for the day was the talk by Mike Parr. As part of the SafARI fringe contemporary art festival, Mike was speaking about the beginning of inhibodress, one of the first ARIs in Sydney as well as his own early practice of that time. In the SafARI zine, I’m quoted as saying Mike is ‘the best thing since sliced bread’ and i stick by that. He’s managed to continue creating thought-provoking, inciteful and insightful works for the last 35 years and when he spoke, i was captivated. Now, when some people contradict themselves, i’m the first one to tune out, but hearing Parr talk, i didn’t care that he did that. I didn’t care that I’d heard some of it before, like a mantra about not getting sucked into the lottery of government funding. I really needed to hear what he was saying. I loved hearing how important it is for ARIs to push the boundaries, despite it being impossible to do so these days, but that at the same time, it’s important for us to show works that will never get shown in a commercial gallery because its, well, not really gonna ever get there. I had also been driving myself nuts with the fear that i have all these ideas, not enough money and not enough time to get my artistic career where i want to go, and I heard the word ‘longevity’ that night. It was like a bright light in a dodgy park and seems to have been the salve for what was ailing me. It’s about continuing to keep plugging away, do what you do with as much integrity as you can muster in this cut-throat world. Perhaps a little dramatic, but hey.

I was so fucking inspired that within 24 hours, i had come up with 3 new ideas for projects about rhythm and time that i thought i was going to burst! This is, in and of itself, not a new phenomenon, but it felt different this time. I felt like i had been given a huge kick up the ass, with a lunchbox and swag with which to move forward. So watch out world, here i come. Even if i only arrive in 30 years’ time, it will have been worth it.

thanks for subscribing to she sees red by lauren brown. xx

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